KINO! NO. 28-29

IN MEMORIAM

Peter and Tom (Letter to Branko), Pavle Levi

Chantal Akerman: Filmography of Obssession, Tina Poglajen

Chantal Akerman, A Film Nomad, Jasmina Šepetavc

SLOVENIAN FILM: MAMA (Mother) BY VLADO ŠKAFAR

Mama, Koen van Daele

Mama, Miklavž Komelj

Notes on film Mama, Helena Koder

BREAKTHROUGHS

Son of Saul and a New Representation of Intolerable Images, Andrej Šprah

The Glorious 70, Anja Banko

Whit Stillman + Jane Austen: Love and Friendship, Tina Poglajen

Be My Bug: Entering the Fantasies of Robert Morgan, Robert Kuret

Falling for The Love Witch. An interview with Anna Biller, Harriet Warman

FINAL GIRL

Final Girl: The Androgynous Victim-Hero, Maša Peče

Following the Final Girl: Spectatorship and Gender from Hitchcock to Tarantino, Tina Poglajen

Suck It, Bitch!, Anja Banko

REFLECTIONS

Beyond the Hills: from Thessaloniki to Palm Springs, Michael Pattison

Sexual Emancipation and the Maturing of Youth Films, Jernej Trebežnik

Disidentification in/on/of Film. The Transaesthetic in the Aesthetic Regime., Nenad Jelesijević

About Scheherazade, Gesture, Myth and Collage, Rok Govednik

Wagon to the Stars: 6 Films, 2 Men, 1 Shatner, Jure Godler in Anže Tomić

HISTORICITY OF FILM

Exhibiting Films and Respect. A Few Notes on Film Exhibition from
the Perspective of a Film Museum
, Jurij Meden

BOOKS

Film Phoenix Miklos Jancsó?; Liberty of Cinema. The International (Co-)Productions of Miklos Jancsó, Filmkolektiv Frankfurt, Gregoer Zamuda

The Power of the Film Idea; Cinema by Other Means, Pavle Levi, Peter Cerovšek

TELEVISION

Woman and the Other Others in The Knick. Chirurgical Precision of the Countergaze
of Your TV Gaze
, Pia Brezavšček

Revealing Gender Roles and Identities in Transparent, Bojana Bregar

PILLOW SHOTS

Mama, Filmmaker's Diary, Vlado Škafar

Speech on Rostov-on-Don, Velimir V. Hlebnikov

Poems from Legacy , Srečko Kosovel